Sandie Yi: Digital Technology
September 23–December 13, 2025
UIC Gallery 400
Sandie Yi maintains an artistic practice that centers handmade wearable adornments that engage with aesthetics, ethics, and the complexities of the disabled body. She defines this wearable art as “crip couture,” which is jewelry, garments, accessories, armors, and footwear that extend beyond the uses of prosthetics, corrective, and assistive technologies deployed by the medical industry to standardize non-normative bodies. Often drawing upon industrial design, her two-digit hands and feet, and her kinship to the disabled community, Yi’s work prioritizes the disabled user’s lived experiences and insists on challenging dominant ableist ideologies.
For her first solo exhibition in Chicago, Yi reflects on how her craft produces objects and knowledge that foreground how she innovates technologies that have to do with how her body interacts with the world. “The technology I am creating for myself has to do with not adding more fingers for me to do things better. It’s to show how I use it and came up with it,” she says. The show includes a set of photographs demonstrating how she dons her couture, casts of her hands, which are used as props for displaying her jewelry, and sewn silk organza pouches holding callouses trimmed from her feet.
September 23–December 13, 2025
UIC Gallery 400
Sandie Yi maintains an artistic practice that centers handmade wearable adornments that engage with aesthetics, ethics, and the complexities of the disabled body. She defines this wearable art as “crip couture,” which is jewelry, garments, accessories, armors, and footwear that extend beyond the uses of prosthetics, corrective, and assistive technologies deployed by the medical industry to standardize non-normative bodies. Often drawing upon industrial design, her two-digit hands and feet, and her kinship to the disabled community, Yi’s work prioritizes the disabled user’s lived experiences and insists on challenging dominant ableist ideologies.
For her first solo exhibition in Chicago, Yi reflects on how her craft produces objects and knowledge that foreground how she innovates technologies that have to do with how her body interacts with the world. “The technology I am creating for myself has to do with not adding more fingers for me to do things better. It’s to show how I use it and came up with it,” she says. The show includes a set of photographs demonstrating how she dons her couture, casts of her hands, which are used as props for displaying her jewelry, and sewn silk organza pouches holding callouses trimmed from her feet.
Photos by Jonas Mikowsch Müller-Ahlheim.